{"id":5649,"date":"2024-04-02T07:40:37","date_gmt":"2024-04-02T05:40:37","guid":{"rendered":"http:\/\/catchthemes.com\/demo\/music-band-free\/?post_type=featured-content&#038;p=7"},"modified":"2024-04-08T19:55:05","modified_gmt":"2024-04-08T17:55:05","slug":"a-pobres-herramientas-grandes-habilidades","status":"publish","type":"featured-content","link":"https:\/\/flashradio.es\/flashblog\/featured-content\/a-pobres-herramientas-grandes-habilidades\/","title":{"rendered":"A pobres herramientas, grandes habilidades"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">A pobres herramientas, grandes habilidades<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"700\" src=\"https:\/\/flashradio.es\/flashblog\/wp-content\/uploads\/2018\/07\/a0509252536_16.jpg\" alt=\"\" class=\"wp-image-6454\" style=\"width:501px;height:auto\" srcset=\"https:\/\/flashradio.es\/flashblog\/wp-content\/uploads\/2018\/07\/a0509252536_16.jpg 700w, https:\/\/flashradio.es\/flashblog\/wp-content\/uploads\/2018\/07\/a0509252536_16-300x300.jpg 300w, https:\/\/flashradio.es\/flashblog\/wp-content\/uploads\/2018\/07\/a0509252536_16-150x150.jpg 150w, https:\/\/flashradio.es\/flashblog\/wp-content\/uploads\/2018\/07\/a0509252536_16-640x640.jpg 640w, https:\/\/flashradio.es\/flashblog\/wp-content\/uploads\/2018\/07\/a0509252536_16-70x70.jpg 70w, https:\/\/flashradio.es\/flashblog\/wp-content\/uploads\/2018\/07\/a0509252536_16-80x80.jpg 80w, https:\/\/flashradio.es\/flashblog\/wp-content\/uploads\/2018\/07\/a0509252536_16-50x50.jpg 50w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"> El pianista valenciano<strong>&nbsp;<\/strong><strong>V\u00edctor Trescol\u00ed Sanz<\/strong>&nbsp;hace suya esta frase de&nbsp;<strong>Marcel Duchamp<\/strong>, que define muy bien su relaci\u00f3n con el piano de juguete. \u00c9l, m\u00fasico de formaci\u00f3n cl\u00e1sica y profesor del Conservatorio Superior de M\u00fasica de Val\u00e8ncia, disfruta con las limitaciones que imponen estos peque\u00f1os instrumentos, que&nbsp;<strong>no suelen sobrepasar los 50 cent\u00edmetros de ancho ni tener un registro de m\u00e1s de tres octavas<\/strong>. Desde hace ocho a\u00f1os, Trescol\u00ed ha dedicado su carrera creativa a dignificar el&nbsp;<strong><em>toy piano<\/em><\/strong>. Lo hace de dos maneras: catalogando e interpretando el repertorio compuesto para este instrumento en el pasado, y componiendo \u00e9l mismo piezas originales. Su \u00faltima aportaci\u00f3n es un EP de cuatro canciones &#8211;<em>A: Toy<\/em>&#8211;&nbsp;<a href=\"https:\/\/victortrescolisanz.bandcamp.com\/album\/a-toy\" target=\"_blank\" rel=\"noreferrer noopener\">publicado hace unas semanas en formato digital<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cTodo empez\u00f3 como una v\u00e1lvula de escape -explica Trescol\u00ed-. Yo estaban en \u00c1msterdam, estudiando un m\u00e1ster y esforz\u00e1ndome much\u00edsimo. En esos sitios se estudia con mucha intensidad y con mucha proyecci\u00f3n. Pero, en un momento dado, me di cuenta de que necesitaba un poco de aire. Me dije que necesitaba hacer cosas nuevas. En 2010 compr\u00e9 un piano de juguete, y surgi\u00f3 chispa.&nbsp;<strong>Me sorprendi\u00f3 comprobar que se pod\u00edan hacer m\u00e1s cosas de lo que pensaba<\/strong>. Me puse a investigar y descubr\u00ed que, adem\u00e1s, en ese momento hab\u00eda en el mundo bastantes m\u00fasicos componiendo obras para ese instrumento. Una vez regres\u00e9 a Espa\u00f1a, me matricul\u00e9 en un m\u00e1ster en la Universidad Polit\u00e9cnica de Val\u00e8ncia. El trabajo de investigaci\u00f3n lo dediqu\u00e9 al estudio sobre la historia, interpretaci\u00f3n y repertorio del toy piano. Recopil\u00e9 todo lo que se hab\u00eda escrito hasta ese momento. Y, casualmente, el inter\u00e9s en todo el mundo no ha parado de crecer. Desde 2012 aproximadamente hay una s\u00faper explosi\u00f3n de compositores, algunos bastante conocidos, interesados en este instrumento. Desde luego, no todo lo que aparece es bueno, pero s\u00ed muchas cosas\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00bfA qu\u00e9 se debe est\u00e1 fascinaci\u00f3n? \u201cCon un piano grande puedes hacer lo que quieras, pero es un instrumento con tanto bagaje hist\u00f3rico, que de alguna forma es un atrevimiento pensar que puedes aportar algo nuevo desde el punto de vista de la composici\u00f3n. Sin embargo,\u00a0<strong>la posibilidad de jugar con la limitaciones de un piano de juguete abre una ventana a un mundo nuevo<\/strong>. El reto est\u00e1 en exprimir todo su potencial. Y te aseguro que la gente que asiste por primera vez a un concierto de toy piano alucina con todos los sonidos que salen de algo tan peque\u00f1o. Adem\u00e1s es\u00a0<strong>muy vers\u00e1til<\/strong>; por ejemplo, es muy\u00a0<strong>f\u00e1cil de modular electr\u00f3nicamente<\/strong>. Para m\u00ed, su principal aportaci\u00f3n es el impacto que tiene tanto visual, como auditivo. Es una peque\u00f1a escultura sonora, que siempre abre puertas a lo inesperado\u201d.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><sub><sup>Poor tools, great skills<\/sup><\/sub><\/h2>\n\n\n\n<pre class=\"wp-block-preformatted\">The Valencian pianist V\u00edctor Trescol\u00ed Sanz endorses this phrase by Marcel Duchamp, which very well defines his relationship with the toy piano. He, a classically trained musician and professor at the Higher Conservatory of Music of Valencia, enjoys the limitations imposed by these small instruments, which do not usually exceed 50 centimeters wide or have a range of more than three octaves. For eight years, Trescol\u00ed has \u200b\u200bdedicated his creative career to dignifying the toy piano. He does this in two ways: by cataloging and performing the repertoire composed for this instrument in the past, and by composing original pieces himself. His latest contribution is a four-song EP -A: Toy- published a few weeks ago in digital format.<br><br>\u201cIt all started as an escape valve,\u201d explains Trescol\u00ed. I was in Amsterdam, studying a master's degree and trying very hard. In those places it is studied with great intensity and with a lot of projection. But, at a certain point, I realized that I needed some air. I told myself I needed to do new things. In 2010 I bought a toy piano, and a spark arose. I was surprised to see that more things could be done than I thought. I started to investigate and discovered that, in addition, at that time there were quite a few musicians in the world composing works for that instrument. Once I returned to Spain, I enrolled in a master's degree at the Polytechnic University of Valencia. I dedicated the research work to the study of the history, interpretation and repertoire of the toy piano. I compiled everything that had been written up to that point. And, coincidentally, interest around the world has not stopped growing. Since approximately 2012 there has been a super explosion of composers, some quite well-known, interested in this instrument. Of course, not everything that appears is good, but many things are.\u201d<br>What is the reason for this fascination? \u201cWith a large piano you can do whatever you want, but it is an instrument with so much historical baggage that in some ways it is daring to think that you can contribute something new from the point of view of composition. However, the ability to play with the limitations of a toy piano opens a window to a new world. The challenge is to squeeze its full potential. And I assure you that people who attend a toy piano concert for the first time are amazed by all the sounds that come out of something so small. It is also very versatile; for example, it is very easy to modulate electronically. For me, its main contribution is the impact it has both visually and auditorily. It is a small sound sculpture, which always opens doors to the unexpected.\u201d<\/pre>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Noticia de 2020 en (https:\/\/valenciaplaza.com\/)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A pobres herramientas, grandes habilidades El pianista valenciano&nbsp;V\u00edctor Trescol\u00ed Sanz&nbsp;hace suya esta frase de&nbsp;Marcel Duchamp, que define muy bien su relaci\u00f3n con el piano de juguete. \u00c9l, m\u00fasico de formaci\u00f3n<\/p>\n<p class=\"more-link\"><a href=\"https:\/\/flashradio.es\/flashblog\/featured-content\/a-pobres-herramientas-grandes-habilidades\/\" class=\"readmore\">Seguir leyendo<span class=\"screen-reader-text\">A pobres herramientas, grandes habilidades<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":6454,"comment_status":"closed","ping_status":"closed","template":"","featured-content-type":[25],"featured-content-tag":[22],"class_list":["post-5649","featured-content","type-featured-content","status-publish","has-post-thumbnail","hentry","featured-content-type-music","featured-content-tag-festival"],"_links":{"self":[{"href":"https:\/\/flashradio.es\/flashblog\/wp-json\/wp\/v2\/featured-content\/5649","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/flashradio.es\/flashblog\/wp-json\/wp\/v2\/featured-content"}],"about":[{"href":"https:\/\/flashradio.es\/flashblog\/wp-json\/wp\/v2\/types\/featured-content"}],"author":[{"embeddable":true,"href":"https:\/\/flashradio.es\/flashblog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/flashradio.es\/flashblog\/wp-json\/wp\/v2\/comments?post=5649"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/flashradio.es\/flashblog\/wp-json\/wp\/v2\/media\/6454"}],"wp:attachment":[{"href":"https:\/\/flashradio.es\/flashblog\/wp-json\/wp\/v2\/media?parent=5649"}],"wp:term":[{"taxonomy":"featured-content-type","embeddable":true,"href":"https:\/\/flashradio.es\/flashblog\/wp-json\/wp\/v2\/featured-content-type?post=5649"},{"taxonomy":"featured-content-tag","embeddable":true,"href":"https:\/\/flashradio.es\/flashblog\/wp-json\/wp\/v2\/featured-content-tag?post=5649"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}